Special Effects Types.
Special Effects types and techniques are so varied we've set up special effects sections to give you a flavour of what can be done. We very often combine several special effects at once and mix techniques to achieve the imagery and physical experience needed. It's a creative process so you don't need to specify the effect, just explain how you want it to feel and we'll suggest the best ways to get there within your budget.
- 2014 A Bigger Splash.
- 2013 The Imitation Game.
- 2013 The November Man.
- 2012 The Invisible Woman.
- 2011 Coriolanus.
- 2009 The Way Back.
- 2008 Mirrors.
- 2007 Arn: The Knight Templar.
- 2007 The Hills Have Eyes.
- 2006 Pu-239.
- 2005 The Hitchhiker's Guide to the Galaxy.
- 2004 Seed of Chucky.
- 2000 Sexy Beast.
Special FX Gallery.
As a special effects company we've created many recognisable (and award winning) special effects sequences for cinema, tv drama and commercials. From design to delivery, we providing safe, workable physical effects solutions across pyrotechnic special effects, fire and atmospheric special effects, the design and manufacture of mechanical rigs, action and traditional props, model-making and sculpture.
Special Effects Equipment Hire. 020 3475 5745.
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Special Effects Supervisor
Jason has been creating special effects for the past 25 years, half of that as effects supervisor, starting with the cult movie Sexy Beast. Jason’s pragmatic approach to practical special effects work keeps a project on the rails whatever the demands of the script or direction. Jason works globally with Iceland, South Africa, Madagascar, Java and Beirut in a 34 country count.
The Imitation Game | November Man | The Invisible Woman | Coriolanus | The Way Back | Mirrors | The Hills Have Eyes | Seed of Chucky
Office and SpFX Co-ordinator
Mimi graduated university with a Journalism degree in 1999. After a few years as a journalist a colleague mentioned there was a position available assisting the production team on Rogue Pictures ‘Seed of Chucky’ in 2004. From then on Mimi continued working as an AD in production, completing 24 feature films and 3 TV series, with 9 productions as 2nd Assistant Director.
From working with Jason in 2004 and on through the last 10 years in Europe, Mimi moved permanently to the UK in 2001 to work within the company.
Creative Projects Director
Philip has been working where creativity turns into creation for 30 years across Retail and Product design, Advertising, IT, Education, Banking and Finance, Communications and Coaching. His ability to articulate ideas and values has increased profitability and saved companies millions of pounds. Now Philip provides process, problem and planning experience for creative agencies.
First working with Jason in 2000 to fuse Bulgari and Cadillac values, it’ll be Philip’s biro and block with the iPads on the boardroom table :-)
To my SFX Crew - what a job you did under the toughest conditions! A great success! Thanks and all the best.Peter Weir - Director | The Way Back
Jason and his team were highly collaborative in getting us the desired smoke effects in a large area of space and worked tirelessly to keep the effect continuous.Jacob Swan-Hyam, Producer | RSA Films
Coriolanus looks truly amazing, it's going to be something to be very proud of!Kevan Van Thompson - Producer | Coriolanus
Thank you so much for all your help on ‘Downton’, it was great to work with you at last. Ed did a great job for us. I look forward to working with you again.Nigel Marchant, Producer | Downton Abbey
In just over 12 hours we were able to accomplish what was scheduled as 3 days of large-scale explosions in 28 setups. Jason and his crew are to be congratulated!Chris Landry, 1st AD | Mirrors
Thank you very much for the sterling job! Wind machines, sandstorms, blood rigs, arrow, etc. all worked very well and we've got the film to prove it!Jan Marnell, Producer | Arn